A4 from Sep 16, 2016

"160916"
prismacolor pencil on black A4 paper,
201 x 297 mm, ( 7.8  x 11.7 in)

"160921"
prismacolor pencil on black A4 paper,
 201 x 297 mm, ( 7.8 x 11.7 in)

"Donut A4 161017"
prismacolor pencil on black A4 paper,
201 x 297 mm, ( 7.8 x 11.7 in)

”Ruby Slippers”
 prismacolor pencil on black A4 paper,
201 x 297 mm, ( 7.8 x 11.7 in) 

”A4 161113”

 prismacolor pencil on black A4 paper,

201 x 297 mm, ( 7.8 x 11.7 in) 

”A4 161209”

 prismacolor pencil on black A4 paper,

201 x 297 mm, ( 7.8 x 11.7 in) 

"A4 170112”

 prismacolor pencil on black A4 paper,

201 x 297 mm, ( 7.8 x 11.7 in) 

"A4 170125”

 prismacolor pencil on black A4 paper,

201 x 297 mm, ( 7.8 x 11.7 in) 

"A4 170207”

 prismacolor pencil on black A4 paper,

201 x 297 mm, ( 7.8 x 11.7 in) 

"A4 170214”

 prismacolor pencil on black A4 paper,

201 x 297 mm, ( 7.8 x 11.7 in) 

There are these moments where I think I can do more, faster, better, and produce a new image every day, only to fail, as drawings quickly become a 2day to 3day job. These are A4, half the size of my regular A3 size.

Diet from Sep 14, 2016

Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

The doughnuts for suckers on the tentacles was something I thought was very clever. A witchetty grub gags the girl, crawling out, it hangs. Similar to the tentacle that looms up above.
 

The sea bed from Sep 2, 2016

Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

 Pink metallic lips, a lot of shine and gloss. Tentacles reach out as worm-like tentacles reach around. A body lays below with more tentacles reaching up and out. It's those lips that make the picture.

Squid Bubblegum from Aug 14, 2016

 

"Squid Bubblegum"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

The girl in the sun is what made this drawing, strong shadows and sunlight. It doesn't look exactly like the girl in the reference photo, but she still looked pretty good. I like the purple light in the shadows. There's an innocence in the face as the skull in the bubble is blown.

Tentapanti from Jul 18, 2016

“Tentapanti”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

From behind, panties pulled aside to reveal an abundance of tentacles, framed in a circle of roses, snails, and sea anemones. This one was a pleasure to draw, the hands, ripples in the fabric, and the tentacle clumps. All observed by an eye in the sea urchin.

Julia from Jul 7, 2016

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Pink Purple goo floats up upon Julia's head. Coming out from between the clumps of hair. She gazes at two snails entangled. 

Another photoshoot that involved syrup, ice cream topping.

Lost in the garden from Jun 12, 2016

 

"Lost in the garden"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Gaging as 3 tentacles exit the mouth. Heart-shaped suckers. Red heart back spiders. Snails and roses.

Really nice eyes, glints of light, a hint of sadness, maybe just the gagging.

I like this tri-tentacle like it is one massive tentacle that breaks open into three.

It's very heart heavy.

Chrysalis from May 30, 2016

"Chrysalis"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in) 

Boob shapes in fabric, many arms and moths. Fabric is the new challenge for me, not unlike water, it is something I used to avoid but now I'm drawn to it. Especially silky satins. This drawing could have used more hands, but after a while, I burn out and I can't reach the infinity of one more after this one. With hands so with the moths.

"Heart Anal" from May 19, 2016

 

“Heart Anal”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Heart-shaped anal gape. There is a lot of light reflecting around the anus, I'm trying to show wetness. The rosebud anal prolapse is not present but I'm telegraphing it with the giant love heart filled with roses. 

Alter from May 9, 2016

 

"Alter"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Altar and Alter, changing before the living monolith.

I was very happy with the underwear and clothing, also the glow and lighting around the body.

Dolphin selfies from Apr 26, 2016

 

"Dolphin Selfie 2"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

"Dolphin Selfie"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Blues and pinks, hearts, a cuteness, a drop of that classic 90's dolphin airbrush not unlike Sega's Ecco.

Two dolphins, girls rimming blow holes, bestiality, this was the worst thing I could think of at the time.
But the more I think of it, dolphins seem to be less offensive, due to the lack of hair. That they are fish like? It seems to be that being a fish, coming from the ocean or being an insect, that they don't deserve any empathy, not like a kitten or a baby cow, or any other mammal with all its hair.

I'm scared to say dog or horse, two famous bestiality animals, with signs of animal abuse, but to me, dolphins are wild yet intelligent animals who take control of the situation. Also, I don't want to draw a horse or dog, all that hair is a lot of work, and somehow dolphins are more acceptable, with the way they always look happy. I'm sure I've seen more than one youtube video of dolphins mounting humans. They can get a bit rapey.
Oh yeah... just before I drew this there was a viral video of people taking selfies with a dying baby dolphin someone found in Spain.

How the sausage is made:
The girl references were rimming gaping anus, and the dolphin heads line up well with the human butts, syncing the blowhole to the anus.
The water was a lot of work, but in the end, I feel very effective.

Expose from Mar 25, 2016

 

"Expose"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in) 

Every day at 9 am is the time you have to jerk off. Sometimes you're not in the mood but once you get a few pumps in you start to get into it, compare that to waiting around until the mood strikes you to jerk it, waiting for something to set you off, it could be hours, especially if you were jerking it all day yesterday.  That's what drawing can be like.

Tentacles spew out of the stomach of a girl, mesmerised as they reach out to a jellyfish, rose petals bloom inside the opening, it's a mess in there with snails and crab claws. The whole thing I think looks nice.

It's a boy from Mar 16, 2016

“It’s a boy”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

"It's a girl"
acrylic airbrushed onto canvas
2010

It's the same thing again. A girl leans over backwards as tentacles burst from her stomach, but this time with intestines. It's the rebirth of an old god.

"Nia" from Feb 6, 2016

"Nia3"
prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

"Nia"
prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

“Nia2”
prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

“Nia4”
prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

“Nia5”
prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

"Bouquet head"

prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

"Bucket"

prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

"Keeping Up Appearances"

prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

"Pruning"

prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

A great photoshoot with Nia, a lot of strong underlighting and with that comes a lot of shadows. There is pressure on the face from the fingers, I like the squishiness and with the strong lighting, we got some good shine. and light reflection.

Man o’ war from Jan 31, 2016

 

"Man o’ war”
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Drawing to food and sex, an appetite, to be hungry.

I like to compare sex to food, for example watching porn or prolonged foreplay before sex, is like watching someone cook the meal, before eating. Also, masturbating before sex is like spoiling your appetite as to eating cereal before the pizza arrives. Drawing is the same for me, seeing someone working, or seeing a nice drawing or painting, makes me want to draw. 

A cum bubble becomes a jellyfish, the blue bottle with a fancy name of " Man O'war". The girl crowned with a thorned seeing rose. It was the reference photo that made this drawing, I just love the bubble, the lighting, transparency, and refraction.

Oracle from Dec 14, 2015

 

”Oracle”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Eyeballs were replaced by other objects, wasp hives and roses. I like eye replacement, or just empty eye sockets, I still think it's cool. But it is easy to overuse and miss read 

On the triangular border, I tried to get this liquid seafoam, not unlike that found in the sink

I don't know why I like to draw things I'm afraid of, for example, wasps and being blind. But I guess I fill most of my work with my desires and phobias. 

Exit Snail from Dec 8, 2015

"Exit Snail"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

 This was fun to do but the outcome was hard to read. A vagina and head of a snail share the same space, both with similar lighting. Framed with skulls and tentacles.

Infestation from Nov 22, 2015

 

"Infestation"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Up shirt. Fat red tentacles, almost leach like. Another exposed ribs. I like what I have done with the fabric with the extra lines. The halo defines the shape of the hair and head. The sunlight hitting the hair is effective, sunlight hits the tit too

From Nov 13, 2015

 

Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Untitled. Tentacles exit the vagina. A blue rose blooms in a shell, crab claws reach out. I'm really happy with the lighting on the semen. The ejaculate helps shape the labia. And I've managed to capture the chicken pimples near the mound. 

Corinne Rose Acne from Oct 22, 2015

"Corinne Rose Acne"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

"Corinne Rose Acne2"

Prismacolor pencil on black A3 paper,

297 x 420 mm, (11.7 x 16.5 in)

 "Corinne Rose Ance" went smoothly, with the idea of squeezing out the puss of blackheads, whiteheads, and pimples blooming as roses.

"Corinne Rose Acne2" took 13 days to finish, and was a real struggle to get through, it may be due to playing Fallout Shelter which was quite addictive, so much so that I had to start a replay of Fallout 3 to pull myself out of it.

From Oct 13, 2015

Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

 Corset. Overgrown plant life wrapping around itself exiting the face like a tumour, wood grain panels. I mostly drew this for the corset, pushing up the breasts. She sits like a corpse. Nameless.

Brenda from Oct 7, 2015

"Brenda"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

 

"fucking end it." After a week of doing this drawing, the shading, and colouring, and the never-ending of it, every night, still more to do. The whole idea I liked with the crab or spider arms reaching out or existing in the centre of this woman from top to bottom, but the execution was not great. the many legs to me are too sharp compared to the body. Overall it's not a complete fuck up, but I'm not completely happy, but when are we ever?

Tentacle Japanese schoolgirl from Sep 28, 2015

 

"Tentacle Japanese schoolgirl"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

An upskirt, exposing underwear, while wearing a school uniform, supported and squatting on tentacles reaching up from below. This is a basic play on hentai stereotypes. The green glow down the bottom looks nice, and so does that peek of underwear. The skirt with the Scottish plaid really shapes the ass.

Pool from Sep 20, 2015

 

Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

A pool of water in the arms of a tentacle. Roses push through and bloom through the suckers, that I thought was new and clever. A girl rests in the pool, breasts floating in the water. Waters hard for me to draw. It's like the coke bottle, it's easy to fuck up where a small mistake like a spot of white can disfigure the bottle. It's the same for me with water, having light-reflecting, yet seeing the transparency, it could have easily gone pearshaped. But it came out well. I like to watch running water, down a stream or through a tap. 

Dress from Sep 15, 2015

“Dress”
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Cutesy satin dress with tentacles wiggling around the openings. Shiny fabric, wet shiny tentacles, stuff I like to do. I'm pushing in that white on this maid outfit. The maid outfit is standard issue in the kinky cosplay with the nun, police, and cheerleader uniform.

Faceless girl from Sep 7, 2015

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

 I thought this one would be a quick one, like three days max. The first night I got the outline in, after liking the whole idea of a faceless girl holding up her shirt exposing tentacles. Then the colouring in begins, now it's been six days, the shirt seemed to take forever.

But a good result. It's the human hair that holds up framing the rose and keeping the idea that this is a girl. I like it when the character exposes themselves, holding up their shirt or lifting their skirt it feels more personal and private yet in public out in the open.

A Taking from Aug 31, 2015

 

"A Taking"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

I love the shadow on the face, all the frown lines, the look of concern as tentacles uncoil out of her mouth. Infested with crab claws, trying to take her down. The only thing I'm not happy with is the background, it's not terrible but it wasn't worth the time put in colouring, for tree silhouettes. I don't know why I thought I could get away with it. I do like trees and forests though.

Escape From The Deep from Aug 24, 2015

 

“Escape From The Deep”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

With abandoning something that has become mainstream, and it feels like tentacles are the new zombies. But I don't know if I can let go of tentacles. Aliens, robots, bio-mechanical, and tree people, I have moved on from. And I'm always going on about how I am always drawing the same thing, some girl with tentacles coming out of her.
I wanted to draw the wet dreams of surrealism.
My mid annual crisis is over and I'm back to drawing girls.

Goddess from Aug 10, 2015

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Inspired by Lucy Fekete's work, RED POUT and I LOVE CRABBY WOMEN. This god-like creature has multiple crab arms and crab legs coming out of the groin and replacing her human legs, crab claws replace her hands. There's this crescent moon shaped into her hair. Light hits her face and chest and ass, giving nice shadows. I'm happy with the bikini top with a hint of nipple in the fabric.

Another Opening from Aug 6, 2015

 

"Another Opening"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

This is mostly about the shadow, light hitting half the face. Roses have sneaked in again. The halo with a hint of pink gives the shape of her hair. Hand on tit, supporting it like a marshmallow.

I was going for the roses to be growing out of her stomach but instead, they cut it off. This does plant seeds for future ideas of internal rose growth.