Kneel from May 13, 2020

"Kneel"
Prismacolor  pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)
 

I mostly wanted to work on the ass, with the hands manipulating and stretching the skin. I have been doing all-nighters on this one, from around 11 pm to 6 am for the last 6 nights. This could be my new timetable.

Behind the curtain from May 6, 2020

"Behind the curtain"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)
 

I have had a block for a while (in a way) my routine is a mess in quarantine and with an old attitude of "I'm going to just draw anything" which does not sadly look too different to overthinking everything and planning, I'm getting some work done.

on a side note, I'm still painting, so slowly. But I've cut it down to only Tuesdays. Before with all the procrastinating, I would get nothing done, with the guilt of not painting, I would not draw as well. But with this new timetable, things are moving faster.

Lick from Apr 13, 2020

"Lick"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

It has become a series, of mouths for vaginas, there are now at least six of them. And when the stars align I'm sure there will be another.

Faces of Death 4 from Feb 11, 2020

“Faces of Death 4″
 Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

A.k.a. Coffin Cunts. There's this coffin shape around the vulva, vagina including the mound, mons pubis and anus, that I want to do more with. Just drawing sweet vaginas framed with coffins.

Sunlight hits the side of the face, leaving most of it in a shadow, but I'm still putting in details on the face, capturing the slime of the facial. But to spell it out, cumming is death.

Ravenous from Nov 1, 2019

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Donutted from Oct 13, 2019

“Donutted”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

In a gluttonous world of strong desires, ravenous for instant gratification and satisfaction, to fulfil our appetites. Sex to food, I feel like I've gone on about it before. The hunger and desire for food, is not unlike that of sex. I've been watching Ramsay's Kitchen Nightmares, and it makes me hungry, even if I've just eaten, just like watching porn after fucking. Cream filled, glazed, and sticky.

Horns for Eyes From Jul 27, 2019

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

I don't think I have seen this before, and in a world where stuff comes out of eyes like tentacles and flowers, horns would be more prevalent. Then I came across it multiple times. But I still think it's cool.

Chocolate Train from Jun 27, 2019

Prismacolor pencil on black A3 paper, 297 x 420 mm, (11.7 x 16.5 in)

I have had this one lined up for a while. It is a rather famous train crash, the reference photo I found on Reddit, in black and white. It was the girl reference that was hard to find. It's a situation where I finally come across a reference months later and think that's the one, that's the girl who will shit a train.

Pluck from Jun 11, 2019

"Pluck"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

A pink rose for a head, with a face. Bound and wearing a sailor schoolgirl uniform. I was trying to fuse the rope with plant life, like vines with leaves.

Horn from May 30, 2019

“Horn”

Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

Get a print from Society6 [here]

I was very happy with this. The unicorn. The pulled up up-skirt. The pressure pushed onto the underwear from the horn. The tentacle ring framing the underwear.

Again I'm getting detail into a face with a small surface area.

“Pink Gloves” from May 15, 2019

“Pink Gloves”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

A skull for a face seems to always be a winner with a mild green smoking aura. The Pink Glove title is self-explanatory, with the circulation cut off from the arms with the bondage.  

"Toilet Time" from Apr 9, 2019

"Toilet Time"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

I'm slightly toilet obsessed, from the flushing mechanism to the U-pipe. As a child, it was the most private room of the house. It is an object I see every day. I would have recurring dreams of toilet teleportation, where one would have to flush themselves to travel.

Battery-licker Belle Delphine from Apr 9, 2019

"Battery-licker Belle Delphine"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Originally, the drawing was mostly about licking a 9-volt battery, something I and a lot of people did as a kid, Belle Delphine was just the chosen reference from many girls with their tongues out. Now Belle Delphine is a big well-known name, and the drawing became more about her now than battery licking. 

I did find battery licking a painful yet moreish experience.

Fused from Jan 29, 2019

"Fused"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)
 

"Tri-Skull-Upskirt"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Mirrored with triangles.

I tried to create the skull's eye sockets with the outline of the skirts. A nipple and pupil bordered by the triangle. 

Fused, two girls kissing, tentacles emerge from the face and entangle creating a moth filled triangular portal.

"Boob-burger" from Jan 19, 2019

"Boob-burger"
  Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

"Boob-burger," "Tit-burger," Burger boobs."

There was a bit of decision making in this, with the burger. To have the burger as it is or have it tilted so each boob was a bun, but I would lose the squishiness in the boobs that attracted me to the reference in the first place.

Plus all the milkshakes that I use as a halo was a pain in the ass, but I am trying to do one step further, I could have just dropped them for a glow.

I've started to use a workable fixative, so I can get an extra layer on top, doing this does have a small con, it fades the under-layer noticeably. But when the paper is fully covered in pencil, I can not apply more, I'm just wasting pencil with no effect, but with the fixative, it creates a new layer with a fresh tooth to the paper.   

From Jan 1, 2019

Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

"Stink Lines" is a working title that may stick. That green smoke aura is not so easy for me, with the smoke trails becoming skulls. It's the fear of losing the smoke effect as I re-apply layers. Smoke, like clouds, can look like anything, but I can't just draw anything and call it smoke. It has been a long time since I have been in a room where smoke floats and lingers making these cool shapes, as it floats through beams of sunlight. The reference I used was of Sindy Vega.

Blooming Breasts from Nov 25, 2018

"Blooming Breasts"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

This is a mutation from other drawings where I use roses, halfway through drawing other roses where it is not complete I think it would be cool if they were in the skin, not unlike a scare or an in-growth. I am not completely happy with this drawing, but if the opportunity arises again I'll give it another go.

Nia Lunar from Nov 11, 2018

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Nia modelled for me again, I'm a big fan of under-lighting. The Moon frames the head. A skull upsidedown below the collarbone.

Famished from Oct 17, 2018

"Famished"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Ahegao portrait, the girl drooling into a rose I like to draw. It must be at least the second time I've drawn it. The doughnut and tentacles crowning the girl, I'm very happy with. The eye resting in the doughnut hole is wide-open, looking shocked and aggressive. The icing on the doughnut looks good and is like a landscape with its hills and valleys littered with multi-coloured stones.

Upskirt Thistle from Oct 2, 2018

"Upskirt Thistle"
 Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Yet another upskirt, it feels like every other drawing I do is an upskirt or some girls knickers.

I'm trying to fuse skulls into the legs, and have the two skulls create the nose of the third skull, as the fourth green skull blooms in the back. 

The Scotch thistle is regionally prohibited here, a flower from my childhood. 

Strawberry Snails from Sep 19, 2018

"Strawberry Snails"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

This drawing had a working title of  "Total Tits" and an alternative title of "All Seeing" but "Strawberry Snails" seemed the nicest.

I mostly like the bra marks around the breast, it's not unlike rope impressions after bondage. I like the look of roast pork rolled up and bound with string.

Faces of Death 3 from Aug 31, 2018

“Faces of Death 3″
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

When looking for references for this drawing, I came across artwork that said "This has already been done." But I still wanted to do it.

Mark Ward

Mr Bloodshed

Donuts and mouths have become very similar to me lately, maybe it's the gloss and glaze on each, and the way the light is reflected, both being pink.

Many Hands from Aug 22, 2018

"Many Hands"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

The two girls eclipse the heart, it came out to be very effective, the glow around the heart, the light on the girls from the bright heart. While the girl in the foreground is held and suspended with many hands.

the fishnet stocking is something I would have avoided in the past and was something I nearly failed. Almost losing the simple pattern in the net. The faces are small yet still detailed, I don't want to toot my own horn but "toot! toot!" I'm getting better with smaller heads. There was a time I would not have attempted a drawing like this.

A Rose By Any Other Name from Aug 2, 2018

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Detailed work on the anus. I'm trying to capture that balloon knot. I'm adding colour, if I get a feeling or vibe of a certain colour I'll add it even if it shouldn't be there. It's like mentally cranking up the saturation.  I tried to fuse the rose with the green smoke by making the rose's innermost shadows the same bright green. Skulls rotate around the rose and foot with lips mounted on the forehead. 

From Jul 10, 2018

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

It's all here, green girls, two mouths kissing, replacing the genitals. Pink skull smoke glowing and replacing the aura.

A Commission from Jul 4, 2018

"Party”
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

A commission job, using old photo references, both were of the same subject, both distorted with age. There was a bit of detective work involved, joining the dots. I am happy with the outcome and it continues with the flow of green girls.

Baby Sitter from Jun 11, 2018

"Baby Sitter"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

I kept coming across pictures of babies and at first glance, I'd mistake their faces for butts, (probably from staring at porn for too long.)
Crying baby faces may work well for boobs too, butts and boobs are very similar.


Alternative titles:
"Baby cheeks"
"Baby butt"
"Smooth as a baby's bottom"
"Facesitting"

Daily Doughnut from Jun 3, 2018

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in) 

The second green girl, the face framed with the doughnut hole, while the whole body and head, with green skin, lay before the doughnut. It was the girl in the reference that made this image happen, there was just this special something in her smile, a proudness. She had a non-stereotypical beauty. Again so much time was spent on the pink of the doughnut, layer after layer of pink, where when an area has been worked on, it makes all the other areas look neglected.