Emma from Sep 28, 2014

 

"Emma"

 Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

A commission piece for Mr Corncobb, This portrait was enjoyable to do, with the bat wings wrapping around the face, almost being a part of the head, growing from behind the ears. Not unlike Morrigan Aensland. Batwings uncurl like leaves holding veins.

Bangles from Sep 21, 2014

 

"Bangles" 

Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

I just wanted to draw Tutankhamun's golden face. There's a lot of shine on that gold. The whole thing is like the light reflecting on the coke bottle, and like I seem to say a lot, a small fuck up fucks up the whole thing. Behind the boys mask are some boobs and tentacles and a cherry in the foreground. 

The cherry is a cheap symbol for me. To me, it's the casinos and virginity. 

Three snails from Sep 19, 2014

 

"Three snails"

Prismacolor pencil on black A3 paper,

297 x 420 mm, (11.7 x 16.5 in)

Three snails exit the girl's mouth. Hands holding feet into the air. Tentacles cover wrists and ankles.

The whole thing came out well and was a pleasure to draw, I just love to do the shines on the face. The fluids on the face capture light. The girl is exhausted yet satisfied. I don't know what it is with snails, they are cute and gross at the same time, they are also shiny. The spiral of the shell. I keep their shells. 

Noses are important to me, there once was a time where I would avoid noses and even draw cartoon faces without a nose. I would treat a nose like I would teeth, just like straight and perfectly dull white teeth, the nose had to be small, straight pixie-like buttons. No huge honkers, but now I love a good bridge. I want large flared nostrils. 

Donut from Sep 8, 2014

"Donut"

 Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

Fingering the pink doughnut, "two in the pink."
Sadly if you try to fuck a doughnut, it breaks apart and crumbles around your dick.

I had many things in mind when drawing this, from fingering food, like pushing your finger down on a stack of pancakes, with the image of the pop just before the pressure penetrates the hot cake, to the rosebud prolapse of anal sex.

Holding from Aug 31, 2014

 

"Holding"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

The biting of the lip and the hands holding open the spread are the reasons I drew this girl. Crowned with a jellyfish and tentacles, other tentacles hold and support her legs. I am happy with the suckers and veins on the hands. Arseholes always take a lot of work with little results, I swear I spend hours on a rectum.

Boobs from Aug 22, 2014

 

"Boobs"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Boobs are the whole reason I did this drawing, spending most of my time working on the breasts. It was meant to be a quick drawing but ended up taking 7 to 8 days, which is way too long for what it is.

Jellyfish from Aug 13, 2014

 

"Jellyfish"

Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

Jellyfish, mostly I just wanted to draw underwear again, there is something about the clothing I like, underwear, the silk and frills, where your imagination of what's under the clothes meet the beauty of the clothing itself. I wanted to mix the tentacles with the upskirt. The whole thing worked out well, there is a nice blue glow surrounding the bulb. I think I'm very clever, fusing two things together. 

Smelly Kiss from Aug 8, 2014

 

"Welcome Home"

Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

Welcome Home, another facial, but it feels organic, the fluid on her face coming from the whips of the tentacle tongue. A blue halo brings out the shape of her hair. This image is not unlike "Bilingual"

Removed To Unite from Aug 3, 2014

"Removed To Unite"

Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

 Removed To Unite, I was going for a heart made from two snails, another crowning, I do like crownings and crowns, it's a shame a crown is not in fashion at the moment, or ever. I was also trying out blurring and out of focus, which was very effective. Her chest is an open hole, as tentacles reach out.

Hard and Wet from Jul 29, 2014

 

"Hard and Wet"

 Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

Crab claws and legs grow and exit the groin through a wet sticky goo. She is like a daughter of the Gods, half girl, half crab monster. Exposing herself, looking for a good time.

The Exchange from Jul 21, 2014

 

"The Exchange"
 Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Again with the translucent semen. Almost vomiting out of one mouth into the other, little hearts float in the pink-tinted fluid. Tentacles wrap around the necks. A snail sits like a jewel. The hair is minimalistic with just blue and white shine. And the yellow pencil framework is visible. At the top, teeth, bite lips, growing wooden roots. I like the lighting on the lips, strong white shine. A blue-green aura, brings out the shape of the two heads and the hair. Again I like this one, I like most of my own drawings. But it's the pinks and greens that do it for me. I have had a long run with pink contrasting with green. And if not pink, then purple. 

I find it hard to write about my work. I thought it spoke for itself, and most of the time I am just describing the image. 

This is an event, an exchange, swapping the fluid as if it was milk and cereal, I'm getting a Fruit Loop vibe, two birds feeding each other. 

It's a glorified cum shot.

Goo-Heart from Jul 11, 2014

 

"Goo-Heart"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

There's something about the image of cum facials that I like, the way it reflects light, the gooeyness, it brings this extra shine to the face. And with this comes the hearts, they have a pink glow in them, a purple glow radiates from them, they all have this split in them like a butt cheek or a cell splitting. The collar decapitates and separates the head. There is a glowing aura around the neck and head.

Foaming bubbles framed by thick pink shiny lips. Eyes wide, but not with fear, more aggression if anything else.

Sometimes I come across a portrait that I must draw.

Coral Graveyard from Jul 4, 2014

 

"Coral Graveyard" 
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

More from under the sea, and the beauty of coral. Sea anemones have little hearts floating around them. A girl with coral sprouting from her head is being consumed by tentacles. A shell hovers in the centre, dripping, visually similar to a vagina. A structure in the background becomes overgrown with sea anemones and covered with snails, creating an eye.

I like this one, it fills up a lot of space without a lot of colouring in.

Day-Z fan art from Jun 14, 2014

"Day-Z"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

I don't play "Day-Z" but I do like to watch others play it like FRANKIEonPCin1080p on youtube.

We have a classic half face half skull, a daisy pun wordplay with Day-Z, and skull and cross axes.

The two heads are framed with intestines with a little poisonous mushroom down the bottom.

Ice Cream Kiss from Jun 9, 2014

"Ice Cream Kiss"

 Prismacolor pencil on black A3 paper, 

297 x 420 mm, (11.7 x 16.5 in)

This one was a bit of a pain, I had the overall idea, spitting ice cream on a cum covered facial, drowning in the thick of the shake. But it did not go smoothly, there was a lot of head-scratching halfway through. I crowned the spitter with 3 scoops. The whole thing is strawberry flavoured.  

Migraines and Chest Pains from May 31, 2014

 

"Migraines and Chest Pains"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

A glow influx, green halos and auras have returned, and now little pink hearts exit the body, floating up. I'm trying to give it an out of focus glow. Little jellyfish become skulls that float around the head. She is crowned with more skulls fused with tentacles, as her lungs are filled with snakes covered in eyes. The hair flows and floats to give that underwater feel. Some nice exposed ribs, I've really got to add ribs at every opportunity. I find ribs a strong sign and symbol of death besides the skull. With skulls we lose the face, with ribs we lose the breasts.

Disrobe and Ice Cream Cone from May 30, 2014

"Disrobe" 

Prismacolor pencil on black A3 paper,

297 x 420 mm, (11.7 x 16.5 in)

Many arms repeating, rolling and removing fabric exposing an underlayer of tentacles, I tried to give the tentacles a slimy effect and have them fuse with themselves to clone the swimsuit that they are replacing. Eyes peek through the spaces of the higher arms. I tried my best to keep the cleavage visible. The whole thing came out better than expected.

"Ice Cream Cone"

Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

 

Ice cream cone. A soft-serve spiral sits on the lower back and morphs into white underwear, the legs are the cone. I thought it was a good idea at the time, now I have mixed feelings about it. Nice heels though.

Tentacle Nipples from May 16, 2014

 

"Tentacle Nipples"
Prismacolor pencil on black A3 paper, 297 x 420 mm,
 (11.7 x 16.5 in) 

Tentacles for nipples, the girl rests her arms on a tentacle reaching out from the darkness. Overall, I like it, nice suckers on the larger tentacle, cute little snail on her shoulder, and the hair came out neat. I should do more tentacle nipples, it makes a good nipple exposure loophole.

The bubbling Snails from May 11, 2014

"The Bubbling Snails"
 Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

This is a composite of two references, this might be the first ahegao I have ever come across. The head is added to a new body with the finger applying pressure onto the underwear. The underwear has that nice shine with it being satin and my soft-serve ice cream addiction shows. The bubbling snails are my simile/metaphor for a wet vagina. And the tentacles...

 

Nameless 3 from May 6, 2014

 

"Nameless 3"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

I used to avoid fabric, it's the same as the glass bottle, where small mistakes destroy the illusion. But this metallic shirted needed to be drawn, most likely due to its shininess, and the big fat tits pushing against the fabric. I was on a roll with headless and faceless women, their heads replaced with tentacles, extending the neck.

The third of this type of succubus, or maybe all three are the same demon. Slowly morphing and shedding its face.

  

Shiny from Apr 30, 2014

"Shiny"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

The shine made it the perfect reference, with tons of reflection, you can practically see the window sill in the boobs. Plus there are boobs. Crab legs reach out from the belly, to add some creepiness. 

swimsuit from Apr 28, 2014

"Swimsuit 2"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

I was not happy with the first "swimsuit" so I tried again, with an outcome I'm happier with.

More classic tentacles, flowing from what I like to think is the swimsuit.

I like the one-piece swimsuit, it seems to hide everything and show everything at the same time.

 

Watermelon Tits from Apr 21, 2014

"Watermelon Tits"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

I'm not a fan of the taste of watermelon, I don't hate it, just not a fan, but there is something about the colours of greens, pinks, and reds inside that I love.
This drawing was a pain in the arse with the layers of colour I had to put in, and yet I could not capture the watermelon markings on its skin. They had this nice stretch mark effect between the lighter and darker greens.

Tentacles on the brain from Apr 18, 2014

"Tentacles on the brain"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

This is not it, but soon, I will try to move away from tentacles, but I will fail. They are even in my dreams, and daydreams, from octopus, on the streets like rats, to becoming nothing but giant fat tentacles swiftly moving through air vents.

I do have tentacles on the brain.

20 years ago, I would use plant vines, the same way I use tentacles today. Back then I was influenced by trees and vines, twisting around themselves like the Wisteria that grew beside our childhood home. I love trees especially gum trees, even more, when they are disfigured, twisted. A tree that has been knocked down by the wind, survives, and continues to grow, creating this "U" shape.

Now it's tentacles, they make a great filler or filter, filling up negative space, they are great for replacing penises.

Oh my god, penises, I must be a dick hater (Methinks thou dost protest too much) in the world of ratings, here in Australia in the past anyway, on tv, you could see boobs, butts and vagina, vagina only if obscured by bush, no dick... then dick on SBS, limp dicks that is, never an erect penis, that would make it rated xxx I believe. When using references I don't want to stare at a dick all day, they are not pretty, I might one day get into dick, I have seen some nice drawings of them.

The brain reference was great, nice and shiny, with underlighting, and it will not be the last time I use this reference. 

Nameless2 from Apr 15, 2014

 

"Nameless2"
 prismacolor pencil on black A3 paper, 
297 x 420 mm, (11.7 x 16.5 in

A faceless girl, whose head opens up with tentacles, her head hollow, like a shell. At the bottom of the skirt, I tried to fuse it with the petals of a rose, something I may try again. A nipple was exposed over the slip.

PAPER JAM from Apr 6, 2014

PAPER JAM

Curated by artist Ben Frost

These drawings will be exhibited at Vertical Gallery as part of the "Paper Jam" group show. Opens April 5th 2014

One Year Anniversary Group Show.
Featuring: Shark Toof, Anthony Lister, James Jirat Patradoon, Chris Cunningham, Greg Gossel, Ben Frost, Hebru Brantley, Denial, Copyright, Taylor White, Mark Drew, Bridge Stehli, Mysterious Al, Michael Cain, Dale Keogh, Colin Van Der Sluijs, and Numskull
Opening Reception: Saturday, April 5, 6-10pm 2014

"Shell Horns"
Prismacolor pencil on black paper 13 x 19 inches

"Crab Mouth"
Prismacolor pencil on black paper 13 x 19 inches

"Kisses"
Prismacolor pencil on black paper 13 x 19 inches

"Corinne, Prepped"
 Prismacolor pencil on black paper 13 x 19 inches

"Corinne2, Infestation "
Prismacolor pencil on black paper 13 x 19 inches

"Exiting Cocoon"
Prismacolor pencil on black paper 13 x 19 inches

"Syrup Cycle"
Prismacolor pencil on black paper 13 x 19 inches

"Corinne3, Bitter"
Prismacolor pencil on black paper 13 x 19 inches

Corinne from Mar 31, 2014

Corinne Beinart. A great model to work with. A lot of underlighting. A lot of great shadows.

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

Mushroom Tits from Mar 21, 2014

 

"Mushroomed"

 Prismacolor pencil on black A3 paper,

 297 x 420 mm, (11.7 x 16.5 in)

Or Mushroomed,  blooming from a damp and dark environment to spawn spores, I just wanted to draw mushroom boobs.

Two large mushrooms grow up through the ribcage emulating the breasts. This angle is something I will grow more fond of. And fungus slowly works its way into my work. This is the start of more mushroom details like gills.

I love it when something looks like something else.   

Ting from Feb 7, 2014

 

"Ting2"
Prismacolor pencil on black A3 paper,
297 x 420 mm, (11.7 x 16.5 in)

This is the second drawing of Ting. A repeating mouth, opened with extra pinkies. Tentacles exiting the neck. Crowned with an octopus, it's beak replaced with an eye.

"Ting"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Ting is a waitress I used to work with.

Again, it is hard for me to get new faces to shoot and use a new references.  It's hard for me just to ask, I give off a creep vibe. 

From The Garden from Jan 20, 2014

"From The Garden"
 Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

Creepy hand touch. Classic hand spider. The ground web I found somewhat effective. 

"Butt-spider"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

I do find spiders, specifically the Redback spider rather sexy, with their long slim legs and large butt-like abdomen. I can see why some male spiders risk or even give their lives for sex.

"GasmaskButtSpider"
Prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

And the gasmask, a spinoff of the butt-spider, but I think it gets lost in translation, it might work better with a gasmask on an actual butt.

In The Garden from Jan 10, 2014

 

"In The Garden"
prismacolor pencil on black A3 paper,
 297 x 420 mm, (11.7 x 16.5 in)

The Garden, is a theme I might run with, though it is not green and lush, it might start to become more plant like, mushroom and fungi is a start. And that's the thing, fungi is like a special secret surprise in the garden, its something unplanned that's hard to create in a garden, and if you do produce your own fungus its kind of hollow, and not the same as if it happened naturally.
These are the things hidden in the garden, the horrors and beauty, like a massive web of a golden orb weaver.
As a child, I did a bit of gardening for a lady who's name alludes me, for small change chocolate and apples, which was a bizarre payment, it was a nice garden, big with rocks cacti, roses, and trees, it was all there, but while clearing leaves I came across massive spiders, mostly huntsmen, which scared the shit out of me.

I like the neck tentacles, flapping about, stretching and pulling the skin, mirroring the strings of spit in the mouth.